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One morning a woman notices something strange at the café where she has breakfast every morning. All of the other customers and the waiters are in total silence. They all look down, nobody touches their breakfast. All of a sudden a song can be heard.
Nacho Vigalondo is an Oscar-nominated Spanish filmmaker. In addition to receiving an Academy Award nomination and a Best Short Film Award nomination at the European Film Awards, 7:35 de la Mañana received the Bronze Moon of Valencia at the Cinema Jove – Valencia International Film Festival and the Prix UIP Drama at the Drama Short Film Festival. Nacho finished his first full length feature film, Los Cronocrímenes (English title: Timecrimes), in 2007.
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A two-part exercise to map CCTV cameras around Whitehall, London, within a zone covered by SOCPA (Serious and Organized Crime and Police Act 2005). A map of the hundreds of cameras in the zone was made over two days of observation. The second part involved mapping the range of one of these cameras, no. 40 in Villiers Street, by intercepting its signal as it was transmitted wirelessly without encryption. As passers-by entered the marked area covered by camera no. 40, they were alerted to the camera’s presence and handed a copy of the map of CCTV cameras in Whitehall.
Manu Luksch is a filmmaker who works outside the frame. The “moving” image, and in particular the evolution of film in the digital or networked age, has been a core theme of her works. Characteristic is the blurring of boundaries between linear and hypertextual narrative, directed work and multiple authorship, and post-produced and self-generative pieces. Her recent science fiction film, Faceless, was compiled from surveillance video footage recovered under the UK¹s Data Protection Act, narrated by Tilda Swinton. Luksch¹s films are shown internationally, such as at “Hors Pistes” (Centre Pompidou, Paris 2008/2009), “Goodbye Privacy” (Ars Electronica, Linz 2007), “Satellite of Love” (35th Int. Film Festival Rotterdam 2006), to name a few. www.ambientTV.net
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Richard walks out of his house and his world is turned upside down as he is stopped in the street, handcuffed, hooded and thrown in a van. Under the spotlight of the interrogators lamp what will he give up to spare himself?
Daniel Wilson quit blowing the horn for Count Basie at the tender age of six to become a professional liar. This resulted in over ten years of employment in television as a cameraman.
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A family… a simple family in which the announcement of a simple wedding scrambles up the simple birthday party planned for their oldest relative… The aunt’s birthday is spoiled by the announcement of a close relative’s wedding, which might mean joy for him but which the prospective wedding guests can only see in terms of a financial burden…
Emanuel Parvu trained as an actor at the National University of Theatrical Arts and Cinematography in Bucharest. After graduation in 2005 he went on to complete an MA in directing, acting, light and sound design in 2007. Currently he is working on his PhD in Theatrical research in dramatic structures U.N.A.T.C. He has written and directed various plays for the theatre and won various prizes for his work as writer and director.
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Metka is the directorial debut of the two Polish artists and designers–Małgorzata Jabłońska and Piotr Szewczyk. The film is an animated music video for the song Metka (A Tag) performed by The Complainer & The Complainers (feat. Artur Rojek). The animation focuses on the globalization and mass production problems. Visually it reveals a number of references to the masterpieces of cinematography, especially Metropolis by Fritz Lang.
Małgorzata Jabłońska is an artist and author and designer of digital comics. She also teaches New Media at The Branch Faculty of information technology of the Polish-Japanese Institute of Information Technology in Bytom, Poland. Her artworks have been shown in solo and group shows across Europe.
Piotr Szewczyk is a multimedia artist, designer and architect. He teaches New Media lives at The Branch Faculty of information technology of the Polish-Japanese Institute of Information Technology in Bytom, Poland. His artwork has been shown across Europe and he has won a number of architectural prizes.
Małgorzata and Piotr have been collaborating on projects since 2003. They live in Gliwice.
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Dr. Fabian Pohl is a radiotherapist. His patients are hoping for a cure through something which the eye cannot see. Every day, Dr. Pohl has to give in to the edge of life at which his patients are living, a place where even the most sophisticated medical machinery cannot help out any more.
After finishing a BA in Photography in Great Britain, Simon Weber has started a course in Documentary Film Directing at the University of Television and Film Munich, Germany. So far, he has created a number of short films which have been shown at festivals throughout Europe. Simon is currently post-producing his first feature length documentary film at the University, the story of a US soldier who recently deserted from the war in Iraq.
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A computer error brings together two cogs in the modern macroeconomic machine. They’d rather be eating lunch, but duty calls. As he eats at his console, Captain Darnell Hawkins remotely pilots an aerial drone on a classified, time dependent bombing mission. His mission and his lunch are endangered when a computer error causes his system to malfunction. As the window of opportunity narrows, a call is made to a technician that results in an unexpected chain of events.
Paul Kamuf is a filmmaker who was born and bred in New York City. He currently directs for the hot new production company Desedo Films. He is a hard worker with a sunny disposition who also enjoys oatmeal cookies. He has a design and animation background. This came in handy for making films since the most important element of creating either design or film is communicating ideas. Paul is passionate about all forms of creativity and collaboration and can not wait to make more work!
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Memotech is an experimental dance short film, exploring the contrast between a minimalistic movement vocabulary and the overwhelming nature of the Faroe Islands. The film is shot on Super 8 in order to create a surreal and fairytale-ish atmosphere, being a unique contribution to the unexplored category of dance films.
Marianna Mørkøre began her filmmaking career during fashion studies at Ravensbourne College of Design and Communication, London 2004. Her great interest in challenging the traditional perception of visual art and moving image, has generated unique visual narratives that are marked by an experimental imagery approach and a personal voice.
Rannvá Káradóttir has emerged as one of the most prominent Danish choreographers, since she graduated from London Contemporary Dance School in 2004. Her practice has expanded beyond pure movement investigation, and she has developed a distinctive movement vocabulary, exploring dance in various contexts and cross disciplinary works.
Selected works by Marianna and Rannvá on: www.youtube.com/rammatik
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Story about change, devotion and what happens when you cross the thin line between friends. 3D animation with hand drawn textures, expressive music and grotesque story. Black humour included. Uncle Adam arrives at a village house of a family who lives there with a dog, Rex. An idyllic scenery unexpectedly turns into a horror which makes blood run cold. This animated debut made under the supervision of Piotr Dumala draws on the best tradition of the Polish School of Animation represented by Aleksander Sroczynski and Julian Jozef Antonisz.
Born 10th June 1977 in Warsaw. Study on Fine Arts Academy in Warsaw and Film And TV Academy. Starting as a videographer and conceptual designer, became an animator and film editor. Member of Polish Filmmakers Association and ASIFA. Currently cooperating on Quay Brothers and Marek Serafinski productions.
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I put into the house/ Women and Men
In pairs, thousands of pairs /And I lock the door /I press the key
And Computing starts
(I love you)
Angelos Spartalis (1973) is a painter. He grew up in Crete-Greece and in Düsseldorf-Germany. He is a graduate of the National Technical University of Athens (Mech. Engineering-Aeronautics). He lives in Athens and in Aghios Nikolaos, Crete
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On a winter night, in a parking lot in Tel Aviv, seven men who served together in the Israeli army meet again. The reunion brings back the atmosphere they know so well from their three years of service in the special forces. The outline of a house is sketched into the surface of the parking lot and the ex-soldiers re-enact the military manoeuvre of taking over a civilian house. During their military service the soldiers were trained to perform this manoeuvre automatically. In the new context the action of the “take-over” is extracted from its original context and becomes a performance.
Sirah Foighel Brutmann graduated from PARTS (performing arts research and training studios) in Brussels in 2008. Since then she had been working as a performing artist as well as a video artist in collaboration with Eitan Efrat.
Eitan Efrat has worked as an independent video artist for the last couple of years, and in collaboration with Sirah Foighel Brutmann. They have created videos which participated in festivals around the world, and received the Cinema Jury Prize in Oberhausen Film Festival, 2009.
Daniel Mann was born in the United States in 1983 and grew up in Israel. He studied film at the Sam Spiegel Film School in Jerusalem and received a degree from Tel Aviv University Film Department. He finished his studies with sponsorship for excellence
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The men from a small village make a circle in the middle of a town square. In the middle a fight between two rams…
Asier Altuna was born in Bergara in the Basque country in 1969. In 2005 he and telmo Esnal shot Aupa Etxebeste (Viva Etxebeste) the first feature-length film to be shot entirely in the Basque language. He has made various documentaries and short films. Since 2000 he has been working as a director for the channel Euskal Telebista.
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